{"id":3858,"date":"2023-10-14T11:50:51","date_gmt":"2023-10-14T14:50:51","guid":{"rendered":"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/?p=3858"},"modified":"2024-01-22T11:21:49","modified_gmt":"2024-01-22T14:21:49","slug":"barroco","status":"publish","type":"post","link":"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/barroco\/","title":{"rendered":"Barroco (1600-1750)"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"3858\" class=\"elementor elementor-3858\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-529a097 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"529a097\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-26accc8\" data-id=\"26accc8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-91e5253 elementor-widget elementor-widget-text-editor\" data-id=\"91e5253\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.6.2 - 04-04-2022 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Uma Velha Cozinhando Ovos foi pindado por Diego Vel\u00e1zquez na data de 1618 em estilo Barroco, sobre o g\u00eanero de pintura de g\u00eanero, na t\u00e9cnica de \u00f3leo sobre canvas e encontra-se na Galeria Nacional da Esc\u00f3cia.<br \/>Dimens\u00f5es: 128 x 99 cm.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c7f90cf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c7f90cf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3c831cf\" data-id=\"3c831cf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a1bb95c elementor-widget elementor-widget-text-editor\" data-id=\"a1bb95c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>O Barroco se refere a arte, literatura, pintura, escultura, arquitetura e m\u00fasica, produzida entre o final do s\u00e9culo XVI e meados do s\u00e9culo XVIII. <br \/>Desenvolvido primeiramente na It\u00e1lia e posteriormente difundido em quase todo o mundo, principalmente no ocidente cat\u00f3lico, foi um movimento art\u00edstico e cultural intimamente ligado as teorias absolutistas e da Contrarreforma, mas mantendo os valores da Arte Cl\u00e1ssica.<br \/>Alguns historiadores classificam o Barroco como uma continua\u00e7\u00e3o de Renascimento, tendo como diferen\u00e7a um grande dinamismo, cores fortes, exuber\u00e2ncia e dramaticidade em contrapartida ao equil\u00edbrio, a formalidade e harmonia da arte Renascentista. <br \/>O termo Barroco que significa algo empolado, exagerado, afetado, esquisito, estramb\u00f3tico, exc\u00eantrico, excessivo, extravagante, original e rid\u00edculo, primeiramente tinha um conceito pejorativo. E s\u00f3 perdeu esse conceito a partir de meados do s\u00e9culo XIX.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b1252af elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b1252af\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-571c97b\" data-id=\"571c97b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-dcc08a0 elementor-widget elementor-widget-heading\" data-id=\"dcc08a0\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.6.2 - 04-04-2022 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Contexto hist\u00f3rico e cultural<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ad9d529 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ad9d529\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7dd86f0\" data-id=\"7dd86f0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-dd216f7 elementor-widget elementor-widget-text-editor\" data-id=\"dd216f7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Desde que a religi\u00e3o cat\u00f3lica instaurou a Inquisi\u00e7\u00e3o na Espanha a partir de 1480, e posteriormente em Portugal a partir de 1536, a liberdade de pensamento e de express\u00e3o sofriam grandes amea\u00e7as e repress\u00e3o.<br \/>Foi uma \u00e9poca em que a Igreja se dedicou a grandes constru\u00e7\u00f5es de capelas, igreja, est\u00e1tuas, esculturas de santos e monumentos sepulcrais. O estilo Barroco surge tamb\u00e9m na constru\u00e7\u00e3o de pal\u00e1cios pois nessa \u00e9poca a igreja era amplamente associada ao Estado e ambos tinham como objetivo causar admira\u00e7\u00e3o e mostrar o seu poder.<\/p><p>Com a Reforma Protestante de Martinho Lutero, que gerou grande a perda de fi\u00e9is e da hegemonia da igreja cat\u00f3lica, al\u00e9m de uma onda iconoclasta, estimulou a Igreja Cat\u00f3lica a conclamar o Conc\u00edlio de Trento (1545-1563), marcando o in\u00edcio da Contrarreforma. Evento que veio a abalar drasticamente a forma de produ\u00e7\u00e3o art\u00edstica da \u00e9poca, fazendo com que a teologia assumisse definitivamente uma prioridade na transmiss\u00e3o das ideias e que a evangeliza\u00e7\u00e3o passasse a ser o principal papel da arte.<br \/>Durante e ap\u00f3s o Conc\u00edlio de Trento a igreja imp\u00f5e v\u00e1rias censuras a cria\u00e7\u00e3o dos artistas visando regulamentar e padronizar a arte.<br \/>O controle passava pelo que cada cor representaria, os gestuais das figuras representadas e principalmente pela proibi\u00e7\u00e3o de representar corpos nus como na arte cl\u00e1ssica, alegando visar um maior decoro. E para evangelizar o povo a mensagem deveria ser de f\u00e1cil entendimento, magn\u00edfico, esplendoroso e intenso.<br \/>Com todo esse controle, apesar do Barroco tamb\u00e9m ser uma arte palaciana, tanto a sofistica\u00e7\u00e3o dos Maneiristas como a harmoniza\u00e7\u00e3o do Renascimento perdem espa\u00e7o para as imposi\u00e7\u00f5es da Igreja e para o sistema absolutista.<br \/>Essas regras eram vigiadas por sensores do clero, principalmente pelos Jesu\u00edtas, que apesar de considerados eruditos e conhecedores dos valores do humanismo foram conclamados a miss\u00e3o de evangelizar e estabelecer tanto a est\u00e9tica como a filosofia da Igreja principalmente.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-925f09c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"925f09c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-694f7a2\" data-id=\"694f7a2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d334e45 elementor-widget elementor-widget-heading\" data-id=\"d334e45\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">Pequeno Baco Doente\n<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b1d8b41 elementor-widget elementor-widget-image\" data-id=\"b1d8b41\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.6.2 - 04-04-2022 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"203\" height=\"300\" src=\"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Pequeno-Baco-Doente-Caravaggio-1593-203x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Pequeno-Baco-Doente-Caravaggio-1593-203x300.jpg 203w, https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Pequeno-Baco-Doente-Caravaggio-1593-41x60.jpg 41w, https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Pequeno-Baco-Doente-Caravaggio-1593.jpg 406w\" sizes=\"(max-width: 203px) 100vw, 203px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a29b6d8 elementor-widget elementor-widget-text-editor\" data-id=\"a29b6d8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default elementor-inline-editing pen\" data-elementor-setting-key=\"title\" data-pen-placeholder=\"Digite aqui...\">Pequeno Baco Doente pintado por Caravaggio em 1593 no estilo Barroco, Tenebrismo, em \u00f3leo sobre canvas nas dimens\u00f5es de 67 x 53 cm.<br \/>Pertence ao g\u00e9nero pintura mitol\u00f3gica e encontra-se na Galleria Borghese.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-e2fdc1e\" data-id=\"e2fdc1e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d715f32 elementor-widget elementor-widget-heading\" data-id=\"d715f32\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">Judite Decapitando Holofernes<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d5dcbbc elementor-widget elementor-widget-image\" data-id=\"d5dcbbc\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"247\" height=\"300\" src=\"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Judite-decapitando-Holofernes-Artemisia-Gentileschi-1614-1620-247x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Judite-decapitando-Holofernes-Artemisia-Gentileschi-1614-1620-247x300.jpg 247w, https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Judite-decapitando-Holofernes-Artemisia-Gentileschi-1614-1620-49x60.jpg 49w, https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Judite-decapitando-Holofernes-Artemisia-Gentileschi-1614-1620.jpg 493w\" sizes=\"(max-width: 247px) 100vw, 247px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cfb35d9 elementor-widget elementor-widget-text-editor\" data-id=\"cfb35d9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default elementor-inline-editing pen\" data-elementor-setting-key=\"title\" data-pen-placeholder=\"Digite aqui...\">Judite decapitando Holofernes foi pintado por Artemisia Gentileschi entre os anos de 1614 &#8211; 1620 no Estilo Tenebrismo Sob o g\u00eanero de pintura religiosa em \u00f3leo sobre canvas e encontra-se no Museu de Capodimonte, Galleria degli Uffizi.<br \/>Dimens\u00f5es: 125,5 x 158,8 cm<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6bcb32e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6bcb32e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-55ef825\" data-id=\"55ef825\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4827c0b elementor-widget elementor-widget-text-editor\" data-id=\"4827c0b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Os s\u00e9culos do desenvolvimento do Barroco foram de muitas guerras e mudan\u00e7as sociais. Com as novas rotas das grandes navega\u00e7\u00f5es para o com\u00e9rcio, que faziam com que a It\u00e1lia ficasse fora do com\u00e9rcio internacional e a conquista de novas terras pelos monarcas Europeus, miss\u00f5es de evangeliza\u00e7\u00f5es foram lan\u00e7adas pela Am\u00e9rica e at\u00e9 o Oriente.<br \/>O absolutismo e o colonialismo geravam muitas riquezas concentradas entre os nobres, o clero e a burguesia, que se enriqueciam com o com\u00e9rcio de produtos como caf\u00e9, tabaco, arroz, a\u00e7\u00facar, ouro, prata e diamantes, al\u00e9m do com\u00e9rcio de pessoas escravizadas que se tornaram a base da for\u00e7a de trabalho. O sistema banc\u00e1rio se reorganizava para as novas pr\u00e1ticas comerciais e novos h\u00e1bitos foram gerados pelos novos produtos que chegavam das col\u00f4nias.<br \/>Nesse contexto, a cultura no per\u00edodo Barroco, foi amplamente influenciada tanto pela religi\u00e3o como pelo sistema s\u00f3cio econ\u00f4mico. O Clero, os nobres e os burgueses queriam manter o controle dos avan\u00e7os conquistados, fossem avan\u00e7os materiais ou culturais. E para manter o novo sistema colonial que gerava grande mercado internacional, faziam tudo para evitar grandes mudan\u00e7as. A prud\u00eancia era considerada a maior das virtudes.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-263cd4c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"263cd4c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-edd07b2\" data-id=\"edd07b2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-538cefd elementor-widget elementor-widget-heading\" data-id=\"538cefd\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">O academicismo no Barroco<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3b10ade elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3b10ade\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f494c44\" data-id=\"f494c44\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1eecdaa elementor-widget elementor-widget-text-editor\" data-id=\"1eecdaa\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Mas o Barroco tamb\u00e9m foi um movimento de grande dualidade e contrastes. Ao mesmo tempo que a Igreja usava de todos os m\u00e9todos para deter o poder, sendo inclusive a principal mecenas da \u00e9poca, a revolu\u00e7\u00e3o cient\u00edfica, atrav\u00e9s de novos estudos do corpo e da alma que come\u00e7ou a acontecer partir de s\u00e9culo XVI, fez com que grandes fil\u00f3sofos como Montaigne(1533-1592), Hobbes (1588-1679), Descartes(1595-1650) e Pascal(1623-1662) entre outros, questionassem conhecimentos que n\u00e3o fossem confirmados pela experi\u00eancia e pela raz\u00e3o, nos campo da economia, da ci\u00eancia natural, da f\u00e9, da \u00e9tica e da pol\u00edtica.<br \/>Conhecimento e f\u00e9 era um embate constante da raz\u00e3o com a autoridade da Igreja. A exemplo da condena\u00e7\u00e3o de Galileu pela Inquisi\u00e7\u00e3o, uma mostra que teorias novas e ousadas, mesmo com c\u00e1lculos e estudos complexos, n\u00e3o eram aceitas.<\/p><p>O academicismo que teve seu inicio no sec XVI, a partir de meados do sec. XVII passa a ter grande import\u00e2ncia na arte, pois formulava n\u00e3o s\u00f3 teorias sobre t\u00e9cnicas nas artes, como tamb\u00e9m teorias filos\u00f3ficas aproximando os artistas dos intelectuais.<\/p><p>Foram criadas academias de arte para difundir normatizar e ensinar o m\u00e9todo que prezava pelo virtuosismo t\u00e9cnico seguindo modelos da Antiguidade cl\u00e1ssica.<br \/>A sistematiza\u00e7\u00e3o do academicismo formulava que a arte deveria expressar os princ\u00edpios da Beleza, da Verdade e do Bem criando uma liga\u00e7\u00e3o entre a arte e a \u00e9tica al\u00e9m de fundamentos morais que visassem a ordem social. Criava-se assim a ideia do artista ter que ser intelectual humanista e erudito.<\/p><p>A partir da cria\u00e7\u00e3o da Academia Real de Pintura e Escultura em Paris em 1648 por Luis XIV(ainda crian\u00e7a) da qual fizeram parte artistas como Jacques-Louis David (1748-1825) e Jean-Auguste Ingres (1780-1867), entre muitos outros, consolida a Fran\u00e7a como novo polo de produ\u00e7\u00e3o e as academias fundadas a partir de ent\u00e3o passam a centralizar e ditar o gosto, a ideologia cultural, a cr\u00edtica, o mercado, as vias de exibi\u00e7\u00e3o e tudo mais que envolvesse a produ\u00e7\u00e3o art\u00edstica, inclusive a forma\u00e7\u00e3o de cole\u00e7\u00f5es particulares e de museus.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b65f8fa elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b65f8fa\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4b1ae36\" data-id=\"4b1ae36\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b52c004 elementor-widget elementor-widget-heading\" data-id=\"b52c004\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Pintura Barroca<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e1af4cb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e1af4cb\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7daf3d3\" data-id=\"7daf3d3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ecb8fd0 elementor-widget elementor-widget-text-editor\" data-id=\"ecb8fd0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>A dualidade entre Deus e o Diabo, os contrastes, as formas retorcidas, a linha diagonal na composi\u00e7\u00e3o inv\u00e9s do equil\u00edbrio sim\u00e9trico do renascimento, o uso do espa\u00e7o pict\u00f3rico sem uma perspectiva real e sim multifocal, emo\u00e7\u00f5es fortes e contradit\u00f3rias como tristeza e alegria ou o divino e o carnal, formas abertas, uso do claro e escuro para aumentar a profundidade e aproximar o primeiro plano do observador, uso de cores fortes, riqueza nos detalhes e nas formas, questionamento dos limites entre a f\u00e9 e a raz\u00e3o, entre os prazeres terrenos e a absolvi\u00e7\u00e3o dos pecados.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f092cee elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f092cee\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-866c756\" data-id=\"866c756\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-61ba102 elementor-widget elementor-widget-heading\" data-id=\"61ba102\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Principais pintores Barrocos<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b051a4a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b051a4a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-cd2b9c3\" data-id=\"cd2b9c3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-79207f9 elementor-widget elementor-widget-text-editor\" data-id=\"79207f9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Jan Brueghel, o Velho (1568 &#8211; 1625) pintor flamengo<br \/>Caravaggio (1571-1610) pintor italiano<br \/>Peter Paul Rubens (1577-1640) pintor flamengo<br \/>Frans Hals (1580 &#8211; 1666)<br \/>Artemisia Gentileschi (1593 &#8211; aprox.1656) pintora italiana<br \/>Francisco de Zurbar\u00e1n (1598 &#8211; 1664) pintor espanhol<br \/>Diego Vel\u00e1zquez (1599 &#8211; 1660) pintor espanhol<br \/>Antoon van Dyck (1599 &#8211; 1641) pintor flamengo- Belga<br \/>Andrea Pozzo (1642 &#8211; 1709_ pintor italiano<br \/>Rembrandt (1606-1669) pintor holand\u00eas<br \/>Josefa de \u00d3bidos (1630 &#8211; 1684) pintora espanhola<br \/>Johannes Vermeer (1632-1675) pintor holand\u00eas<br \/>Mestre Ata\u00edde ( 1762 &#8211; 1830) pintor brasileiro.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-aa0b6aa elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"aa0b6aa\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-167727e\" data-id=\"167727e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8a3eebe elementor-widget elementor-widget-heading\" data-id=\"8a3eebe\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">As Meninas de Diego Velasquez<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fe3676c elementor-widget elementor-widget-image\" data-id=\"fe3676c\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"261\" height=\"300\" src=\"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Las-Meninas-Diego-Velasquez-1656-261x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Las-Meninas-Diego-Velasquez-1656-261x300.jpg 261w, https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Las-Meninas-Diego-Velasquez-1656-52x60.jpg 52w, https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Las-Meninas-Diego-Velasquez-1656.jpg 521w\" sizes=\"(max-width: 261px) 100vw, 261px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-50d6164 elementor-widget elementor-widget-text-editor\" data-id=\"50d6164\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default elementor-inline-editing pen\" data-elementor-setting-key=\"title\" data-pen-placeholder=\"Digite aqui...\">As Meninas foi pintado por Diego Vel\u00e1zquez em 1656 em estilo Barroco sobre o g\u00eanero de pintura de g\u00eanero, na t\u00e9cnica de \u00f3leo sobre canvas e est\u00e1 localizado no Museu do Prado.<br \/>Dimens\u00f5es: 318 x 276 cm.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-d94d8ae\" data-id=\"d94d8ae\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8879b20 elementor-widget elementor-widget-heading\" data-id=\"8879b20\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">Feira Flamenga de Jan Brueghel<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6624a46 elementor-widget elementor-widget-image\" data-id=\"6624a46\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"300\" height=\"206\" src=\"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Feira-Flamenga-Jan-Brueghel-o-velho-300x206.jpg\" class=\"attachment-medium size-medium\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Feira-Flamenga-Jan-Brueghel-o-velho-300x206.jpg 300w, https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Feira-Flamenga-Jan-Brueghel-o-velho-87x60.jpg 87w, https:\/\/www.angelalemosatelie.com.br\/historiadaarte\/wp-content\/uploads\/2023\/10\/Feira-Flamenga-Jan-Brueghel-o-velho.jpg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6c4cfd0 elementor-widget elementor-widget-text-editor\" data-id=\"6c4cfd0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default elementor-inline-editing pen\" data-elementor-setting-key=\"title\" data-pen-placeholder=\"Digite aqui...\">Feira Flamenga foi pintado por Jan Brueghel, o Velho em estilo Barroco sobre o g\u00eanero de pintura de g\u00eanero.\u00a0<br \/>Jan Brueghel \u00e9 um artista do Barroco flamengo irm\u00e3o de Pieter Bruegel, o Jovem e filho de Pieter Bruegel, o velho.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-74d87c0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"74d87c0\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c467b99\" data-id=\"c467b99\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-443c009 elementor-widget elementor-widget-heading\" data-id=\"443c009\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Escultura Barroca<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-24a0a8e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"24a0a8e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-546e19e\" data-id=\"546e19e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2c32f6b elementor-widget elementor-widget-text-editor\" data-id=\"2c32f6b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Seguindo as mesmas caracter\u00edsticas de contrastes da pintura, dualidades e questionamentos entre o divino e o terreno, a escultura tinha uma liga\u00e7\u00e3o muito forte com a arte da Antiguidade. Sendo que procurava ser mais din\u00e2mica e com muita tens\u00e3o entre a opul\u00eancia e o espiritualismo. Tanto na escultura como na pintura barroca o car\u00e1ter decorativista era fundamental.<br \/>Na Europa Gian Lorenzo Bernini (1598 &#8211; 1680) foi um dos grandes escultores Barroco e no Brasil Ant\u00f4nio Francisco Lisboa, o Aleijadinho (1730-1814).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9116dc5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9116dc5\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-fff083d\" data-id=\"fff083d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-23afede elementor-widget elementor-widget-heading\" data-id=\"23afede\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Arquitetura Barroca<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-50dbf1c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"50dbf1c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2f2a930\" data-id=\"2f2a930\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f6b897b elementor-widget elementor-widget-text-editor\" data-id=\"f6b897b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Usado principalmente nas igrejas o dinamismo, a sinuosidade, formas convexas e c\u00f4ncavas nas fachadas, espa\u00e7os e formas ovais, efeitos dram\u00e1ticos de luz e sombra, uso da cruz grega, propor\u00e7\u00f5es incomuns e exageradas, decora\u00e7\u00e3o interna extravagante tudo visando mostrar o poder e a riqueza e catequisar os fi\u00e9is.<br \/>Michelangelo costuma ser considerados um dos precursores da arquitetura barroca principalmente na Bas\u00edlica de S\u00e3o Pedro.<br \/>Francesco Borromini com o San Carlo alle Quattro Fontane em Roma e a igreja de Sant&#8217;Agnese in Agone, na Piazza Navona, e de Sant&#8217;Andrea delle Fratte, ambas em Roma.<br \/>Jules Hardouin-Mansart com o Pal\u00e1cio de Versailles, a Catedral de Saint-Louis-des-Invalides e o Grand Trianon.<br \/>Louis Le Vau foi com o Ch\u00e2teau de Vaux-le-Vicomte.<br \/>O franc\u00eas Fran\u00e7ois Mansart com a igreja do Val-de-Gr\u00e2ce&#8221; e o Temple du Marais em Paris e Ch\u00e2teau de Masons (hoje Ch\u00e2teau de Masons-Laffitte.<br \/>Claude Perrault arquitecto franc\u00eas com o desenho da fachada oriental do Palais du Louvre.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7eef92b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7eef92b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1e5c0f0\" data-id=\"1e5c0f0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6aac265 elementor-widget elementor-widget-heading\" data-id=\"6aac265\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Literatura Barroca<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8fbb63d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8fbb63d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-325c114\" data-id=\"325c114\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-dd870b1 elementor-widget elementor-widget-text-editor\" data-id=\"dd870b1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Exagero nas figuras de linguagem criando uma linguagem dram\u00e1tica que transita entre o cultismo e o conceptismo, uso de hip\u00e9rboles, met\u00e1foras e ant\u00edteses.<br \/>Grandes escritores do Barroco liter\u00e1rio s\u00e3o Lu\u00eds de Cam\u00f5es em Portugal, Francisco de Quevedo, na Espanha e Sor Juana In\u00e9s de la Cruz, no M\u00e9xico. No Brasil tivemos Bento Teixeira (1561-1618), Greg\u00f3rio de Matos (1633-1696), Manuel Botelho de Oliveira (1636-1711), Frei Vicente de Salvador (1564-1636), Frei Manuel da Santa Maria de Itaparica (1704-1768).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-06f6ebc elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"06f6ebc\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f6875e5\" data-id=\"f6875e5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2c259bd elementor-widget elementor-widget-heading\" data-id=\"2c259bd\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">M\u00fasica Barroca<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a22c8aa elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a22c8aa\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f8059b5\" data-id=\"f8059b5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1a8eb70 elementor-widget elementor-widget-text-editor\" data-id=\"1a8eb70\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Com ritmos en\u00e9rgicos, contrastes de timbres fortes com suaves, melodias com muitos ornamentos tendo o cravo, o \u00f3rg\u00e3o e o violino como principais instrumentos, dando origem a \u00f3pera e a orquestra e g\u00eaneros musicais como o prel\u00fadio, o prel\u00fadio de coral, a fuga, a tocata, a su\u00edte, a sonata, o concerto e o concerto Grosso. Os principais compositores da m\u00fasica Barroca mais conhecidos foram Johann Sebastian Bach, Antonio Vivaldi e Friederick Handel.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f30163b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f30163b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-836eb79\" data-id=\"836eb79\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-54be3fd elementor-widget elementor-widget-heading\" data-id=\"54be3fd\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Barroco no Brasil<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fa9edf1 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fa9edf1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2aa99ea\" data-id=\"2aa99ea\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4963850 elementor-widget elementor-widget-text-editor\" data-id=\"4963850\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>O movimento art\u00edstico Barroco se desenvolveu mais no Brasil durante o Per\u00edodo Colonial do sec XVIII pois primeiras as ordens religiosas que eram beneditinos, carmelitas, franciscanos e jesu\u00edtas que chegaram a partir da metade do s\u00e9culo XVI para catequiza\u00e7\u00e3o dos \u00edndios desenvolvem uma arquitetura mais simples, retil\u00ednea sem muitos ornamentos, s\u00f3bria, mesmo que monumental. <br \/>A partir do sec XVII, principalmente no Nordeste e no Sudeste os tra\u00e7os Barrocos come\u00e7am a se desenvolver. Igreja e Mosteiro de S\u00e3o Bento do Rio de Janeiro, constru\u00edda entre 1633 e 1691, na Bahia aantiga Igreja dos Jesu\u00edtas, atual Igreja Catedral Bas\u00edlica tem seus primeiros tra\u00e7os barrocos em 1665-1670. No Recife, a Capela Dourada ou Capela dos Novi\u00e7os da Ordem Terceira de S\u00e3o Francisco de Assis iniciada em 1696 e finalizada em 1724.<br \/>Mas foi a partir do sec XVIII quando as ordens terceiras, irmandades e confrarias que apesar de ligadas a igreja eram consideradas associa\u00e7\u00f5es leigas passam a patrocinar a produ\u00e7\u00e3o art\u00edstica do Barroco no Brasil que ela se desenvolve e com a influ\u00eancia do rococ\u00f3 criando caracter\u00edsticas regionais. <br \/>Tiveram grande import\u00e2ncia nesse desenvolvimento os artistas portugues Manuel de Brito e Francisco Xavier de Brito (s.d.-1751) e os artistas brasileiros Mestre Valentim (ca.1745-1813), no Rio de Janeiro, e Ant\u00f4nio Francisco Lisboa, o Aleijadinho (1730-1814) em Ouro Preto e adjac\u00eancias.<br \/>A Igreja da Ordem Terceira de S\u00e3o Francisco de Assis da Penit\u00eancia (1767) tem o risco, frontisp\u00edcio, ret\u00e1bulos laterais e do altar-mor, p\u00falpitos e lavabo de autoria de Aleijadinho e a pintura da nave de Manoel da Costa Athaide (1762-1830). No Santu\u00e1rio do Bom Jesus dos Matozinhos, em Congonhas do Campo encontra-se a maravilhosa obra de Aleijadinho, os 12 Profetas de pedra-sab\u00e3o (1800-1805) e no interior obras de madeira do dois artistas.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-105eda1 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"105eda1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-982e296\" data-id=\"982e296\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-def5584 elementor-widget elementor-widget-heading\" data-id=\"def5584\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Literatura Barroca no Brasil<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1171e73 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1171e73\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-35e29b7\" data-id=\"35e29b7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3f8c512 elementor-widget elementor-widget-text-editor\" data-id=\"3f8c512\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>A literatura barroca no Brasil foi introduzida pelos jesu\u00edtas e era influenciada pela contrarreforma trazendo para a tem\u00e1tica religiosa caracter\u00edsticas como o fusionismo, o culto ao contraste, o cultismo e o conceptismo.<br \/>O Barroco Brasileiro teve in\u00edcio em 1601, tendo como obra significativa, Prosopopeia (um poema \u00e9pico), de Bento Teixeira. Posteriormente Os serm\u00f5es, de Padre Ant\u00f3nio Vieira; al\u00e9m da poesia de Greg\u00f3rio de Matos tiveram grande import\u00e2ncia. Finalizando esse movimento liter\u00e1rio com as obras de Cl\u00e1udio Manuel da Costa, em 1768, uma introdu\u00e7\u00e3o ao Neoclassicismo.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7158da7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7158da7\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9f254fa\" data-id=\"9f254fa\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3e85b71 elementor-widget elementor-widget-heading\" data-id=\"3e85b71\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Pintura e Escultura Barroca no Brasil<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c48decf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c48decf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1cc6f09\" data-id=\"1cc6f09\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-803631c elementor-widget elementor-widget-text-editor\" data-id=\"803631c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Mestre Ata\u00edde foi grande representante da pintura barroca e o famoso Aleijadinho da escultura barroca no Brasil.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-644f957 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"644f957\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7126fd2\" data-id=\"7126fd2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-17f7d4b elementor-widget elementor-widget-heading\" data-id=\"17f7d4b\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">M\u00fasica Barroca no Brasil<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b95f8f5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b95f8f5\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0760b99\" data-id=\"0760b99\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3cb94d1 elementor-widget elementor-widget-text-editor\" data-id=\"3cb94d1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>O grande nome da m\u00fasica foi maestro Lobo de Mesquita.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Uma Velha Cozinhando Ovos foi pindado por Diego Vel\u00e1zquez na data de 1618 em estilo Barroco, sobre o g\u00eanero de pintura de g\u00eanero, na t\u00e9cnica de \u00f3leo sobre canvas e encontra-se na Galeria Nacional da Esc\u00f3cia.Dimens\u00f5es: 128 x 99 cm. &hellip; <\/p>\n","protected":false},"author":1,"featured_media":3906,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"img.scaled-image {border:none;}"},"categories":[28],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.5.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Barroco (1600-1750) - Hist\u00f3ria da Arte<\/title>\n<meta name=\"description\" content=\"Barroco. 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